ANYWAY, he performed a lot of new material from an as yet unreleased album that I obviously will be buying once it drops (oh yeah, I'm down with the cool kid lingo). Once again, I found myself entirely entranced as he assumed his peculiar on-stage persona. It's almost spastic, but... stylish spastic. I love it. He's one of those entertainers that I can never see live too many times because it doesn't feel like he's performing as much as the music is just spilling out of him. When he's in front of a crowd, it's so clear that he was born to do exactly what he does. It's a beautiful sight.
Like most artists, Jim tends to sing about two things, love and sex. A lot of his songs are anecdotal so I enjoy hearing the stories he tells. There was one last night called "Elevator Operator," about a girl who wanted to be an elevator operator because she liked encountering all the different kinds of people who rode the lifts. One of his all-time bests is "Tennessee Wedding," which paints the picture of a crazy southern couple and the madness that ensues the day of their nuptials. My personal favorites of his are (of course) about love. His ballads get me every time, probably because of their interesting contrast from his otherwise abrasive sound. That man has quite a way with words. His are some of the most adorable, romantic lyrics ever ever ever. For example, he wishes he had "More Hands" in the eponymous song, "so I could touch your body while I touch your face." In the semi-stalkerish "I Got A Thing For You," he tells a girl "I wouldn't lie to you, unless you want me to." Smoooooth. Then he goes on to proclaim "even when you sweat, you sweat with style." Sexxxy. "Painkiller" exposes a touch of vulnerability as he asks a girl "Would you be my painkiller?/Would you make all those voices whispering in my ear disappear?" (I realize this technically makes him sound like a schizo, but he manages to make this sentiment sound so sweet.) And "Belong" might be the sugary-est one yet: "I belong to you/I don't know how I know it/But I belong to you/And sometimes I don't know show it/But I know I do/Baby I belong to you." I mean, come on.
Shit like that, combined with his raspy smoker's voice, downright dissolves my bones. I seriously turn to mush watching him perform. It's a little bit amazing. Jim Bianco serves as another example of a performer who is pretty average looking in general yet becomes irresistible when he performs. He just carries himself like he is sexy, so I believe it. He sings not only like he wants to fuck you ("you" being any listener), but he would do it right. Josh Kelley does that, too. What I like more, though, is that Jim doesn't always paint a perfect picture of love. It's nice enough to romanticize a person or a relationship, but Jim points out the downsides just as much. His overall vibe is that even though love sucks sometimes, it's ultimately worth it. Jim's music makes love and sex and all the madness that comes with it sound like something I want to be a part of. He sounds like falling in love. And I walk away every time wishing I had someone to apply those lovely lyrics to.
*****
Currently listening to:
Jim Bianco (obvi)
Twilight Soundtrack

